No Trivia

Biographical Dictionary of Rap Entry: Common

one comment


No matter what kind of rap fan I’m talking to, I end up having to qualify my thoughts on Common. See, if they are my kind of rap fan, the knee-jerk haters of the so-called “conscious” set that make jokes about Common eating granola, then I gotta remind them of just how fucking good early Common could be. If they are a conscious rap fan who really thinks its cool that Common eats granola, out comes my protracted rant about how everything from his persona to his politics is muddled beyond comprehension and he’s made himself nothing more than the go-to for everyone from “heads” to kinda fat Jewish girls that like “some” hip-hop.

Resurrection is an absolute masterpiece, one of the five or so best rap albums ever. Way better than Illmatic, which came out the same year and in my head, the albums forever linked and just like Illmatic (and so many other rap debuts), it’s an album that gives off the feeling of totally being inside the head of the rapper; you know, them saying the shit they wanted to say and before labels or their own fucking “creativity” screwed everything up. The “sometimes, sometimes…” break on ‘Thisisme’ makes me cry every time I hear it. Resurrection is a portrait of Common, warts and all, bad punchlines and on-point rapping and all, and features plenty of insight into one thing and one thing only: Common. He drops great confessions that are decidedly un-hip-hop without being purposefully un-hip-hop, just real: “I didn’t grow up po’ po’/but once you get grown and out on your own/Bills upon bills upon bills is what you have.” Resurrection is pretty much the bougie rap album Common would claim to be making from Like Water For Choclate to the present time. His problems, not enough money, too much fast-food and beer, have as much to do with those kinda fat “some hip-hop”-liking girls I mentioned earlier as they do with someone deep “in the struggle”.

There’s also something incredibly male and even masculine about Resurrection; the easy place to start is ‘I Used to Love H.E.R’ which is oft-cited as being you know a little closed-minded about what girls (metaphor or not) can do with their vaginas. Common comes through in that the album feels and sounds alienated in a way that girls just never really are; it’s a remarkable literature-caliber portrayal of a slightly educated twentysomething (Nirvana who?). On the album, Common’s aware of his problems and wants to fix them but is half-scared and half-lazy and half-enjoying being a fuckup so it’s all a messy loop of living rapped over messy-but-clean jazz and keyboard loops. He’s also weirdly un-ironic and not self-aware like a lot of confused twentysomething dudes (yes face it, Common is basically a dude); only a rapper with little irony or little interest in proofreading would not only rap a line like “and you could tell/By the way her titties hung” but end the verse with it!

At the same time, the album is a jarring transition from Can I Borrow a Dollar? (a great title by the way). No I.D went from pretty ill slightly wiser boom-bap to beats that move and gel together through the subtlest of keyboard touches and other genius sonic detail. Meanwhile, Common calms it down a little and makes the perfect use of his perpetually stuffed-up-like-he’s-got-a-cold flow. Many look back and like to joke or at least reference stuff like ‘Heidi Hoe’ to describe just how different he was when he first spit, but Common is the same dumbass he’s always been. His most winning aspect is a penchant for emotionally honest details that never seem cloying and his worst aspect is the one he’s been totally working-on for more than a decade: his political and social observations (if they can even be called that). It doesn’t surprise me that he dropped out of college because he’s exactly the kind of guy that would go and then drop out and then talk about how he didn’t need it and how (as he says on Resurrection) “I went to school for fourteen years and my best teacher was experience”; Common’s something of a dullard, really.

It’s fun to make fun of Electric Circus’ or the so clichéd they literally mean nothing stuff on Finding Forever (love is not a mystery…it’s everything?) but they are already there on Resurrection when he says junk like “I hope you wake up in time for the revolution/Or you gonna be like/I can’t believe it, I got shot!” and it works on that album because the whole concept behind it is a confused young guy just being real. It’s the same joyful ignorance found on the first N.W.A record (no really, it is); a decade later however, you realize he hasn’t learned much of anything about anything but he thinks he’s got the world figured out…his supposed resurgence with the help of Kanye West is highly overrated and Be and Finding Forever being celebrated shows just how far the Lonnie Lyn has fallen.

Written by Brandon

November 30th, 2007 at 11:55 am

One Response to 'Biographical Dictionary of Rap Entry: Common'

Subscribe to comments with RSS or TrackBack to 'Biographical Dictionary of Rap Entry: Common'.

  1. I’ve got a rap like that called thisFreestyle rap Lyrics:Yeah this is a freytsele rap nothing to make you clap, I always write when it’s late at night a make mad rhymes by myself don’t need a relentless to get my hype, when ya hear me you might get dat type of lyrical fright but i’m a lyrical monster and yes a won’t bite: ITHAT’S NOT THE END OF THE LYRICS IT GOES ON FOR LONGER.I’ve got loads more of them lyrics and i’m gonna create a web full of all my lyrics and raps and then next to them I’ll have my recording of the song so you can listen to it. That what I’ve just wrote is not a quarter of what i’ve done on that song the rest of the lyrics I just couldn’t write because it would take a bit too long to write on a public website that someone is probably NEVER GONNA READ JUST ANOTHER 10 MINUTES I’VE JUST WASTED please can just read this! Thanks. .

    Motu

    2 Jun 15 at 12:34 pm

Leave a Reply