“Like “Graveyard Girl,” it ends with the outsider—or in this case, outsiders—getting the guy(s), but their video-ending make-out session with dread-locked roller-bladers is an age and community acceptable transference for the characters’ love for one another. The parents-acceptable culmination of the homoeroticism and doubling hinted at in the first scene, where the girls change in front of one another, intercuts with tight close-ups of each of them, making their bodies indistinguishable.
For all that Film Studies stuff though, Husson makes the same statement in other parts of the video in more playful ways. The appearance of the Siren-like skaters turns into an absurd Big Lebowski homage, which makes way for a brilliant and inexplicable cut to the girls downhill skating, perfectly matched to the song’s airy bridge. It doesn’t make conventional sense, but it’s perfect.”
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