Or: “How Everything Wrong With Rap Right Now Can Be Unpacked Via Two Of The Odd Future Kids Rapping Over “4th Chamber.”
So, you’ve got Domo Genesis and Hodgy Beats, part of the oft-compared to Wu Tang crew Odd Future, confirming their fans’ lunkheaded, connect-the-dots hype/mythology in the laziest way possible: Rapping (not even that well, mind you) over a beyond-classic RZA beat. It makes sense. Too much sense.
Then there’s Pharrell, a pop-rap genius producer, known for a goofy falsetto and lumpy verses here and there. For 2006’s In My Mind: The Prequel, he teamed up with DJ Drama, a dude from Philadelphia who made a name for himself compiling Southern hip-hop mixtapes. Together, they made one of the weirdest entries in the trap-rap mixtape series. It nods to Pharrell’s backpack rap origins just because, but mostly features raps about high-end fashion and models over Young Jeezy hits and 80s and 90s rap classics. Pharrell raps over two Liquid Swords productions. This is how dude promoted his solo debut. Think about that.
Now, it’s the next-big-thing iconoclasts that tow the party line–almost expertly so. Pharrell took that line and bent it back on itself until it was a big continuum of hip-hop: Backpacker shit, trap-rap, gritty NYC stuff, moody synthy pop-rap and more. It’s really this simple: Pharrell violated the sanctity of Liquid Swords much better.
As I (and others) said before, perhaps Odd Future are best understood not as iconoclasts out of nowhere, but subversive opportunistic shitfucks toying with the system from the inside, exposing Nahright and 2DopeBoyz as ad whores, highlighting the boring biases of the bleeding edge tastemakers, and showing the goon from Gorilla Vs. Bear to be one more guy who suddenly starts writing in rap slang when he blogs about hip-hop!!!!!.